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All ready for dictation! (France 3): the fix revealed!

This Saturday, May 27, France 3 broadcast a new issue All ready for dictation! presented by Thomas Isle with the participation of Lambert Wilson. Here is the corrected dictation.

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This Saturday, May 27, and for the fifth year in a row, France 3, in collaboration with Lumni, offered a new number of All ready for dictation! presented by Thomas Islewith the participation of Lambert Wilson. Other personalities like Liane Foley, Corinne Touzet, Philippe Caveriviere, Francois Rollin or Sylvain Tesson participated in the largest dictation in France. Karine Dijoud, French teacher, was also there.

A dictation provided by Lambert Wilson

The reading of the dictation by Lambert Wilson also related to the book by Sylvain Tesson On the dark paths. The actor did not hide his enthusiasm at the idea of ​​participating in the largest dictation in France. “I am realizing a dream. I’ve always loved French, I’ve always loved spelling. I loved my French teacher who taught me grammar and spelling. And I would like to pay tribute to him”, he confided. As a reminder, Sylvain Tesson’s book was the subject of a film by Denis Imbert with Jean Dujardin in the main role.

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The corrected dictation is revealed

The corrected dictation was revealed by Lumni this Sunday, May 27. Here it is :

I continued the ascent to the north, under a warm sky. The air smelled of extinguished candles and the fur of gray cats: a scent of autumn. A pastel light meringue plowing. I walked more elastically than at the beginning of my journey. […] Sometimes I took big gulps of the air over the fields. Could one get drunk on the scent of the meadows being washed at night while getting drunk on good dry wine? The walk distilled its good effects. She bequeathed me this treasure that I needed so badly and had been so reluctant to keep: rhythm. […] There was something thrilling in those puffs of cut grass, a sign that the earth breathed and that I still had the power to tread on it. The walk in the forest swept this fear away. I could have rearranged the chorus: “The past obliges me, the present heals me, I care not for the future.” In a guest house in Azay-sur-Indre I came across a story about the penal colony of Cayenne. I discovered there the antiphon of the condemned: “The past has betrayed me, the present torments me, the future frightens me.”

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